ARE WE OUR WORST ENEMIES?
OR CAN HUMANISM TRIUMPH OVER THE PARANOIA OF TERROR? 
The AGE, New Delhi, Friday, 
        26 November 2010
        
         In Ji Saab li, Lushin Dubey plans to highlight the soul of humanity. She 
        wants to take her audiences above the subject of terrorism and explore 
        the enduring bonds of love and friendship, not between similar people, 
        but between seemingly incompatible people.
 
        In Ji Saab li, Lushin Dubey plans to highlight the soul of humanity. She 
        wants to take her audiences above the subject of terrorism and explore 
        the enduring bonds of love and friendship, not between similar people, 
        but between seemingly incompatible people.
        
        Jl SAAB JI is a play talking about the insensitive era we live in. The 
        play, directed by Lushin Dubey, describes a city immediately after a bomb 
        blast. In the time, when we are living with fear and repercussions of 
        terrorism and violence, Dubey is set to shed light on the set- patterns 
        of systems and our reactions. 
        
        A policeman is convinced that a dying old man holds the key to finding 
        the terrorist who has been identified as the mastermind of the blast. 
        The police also summons a young boy who shares a special bond with the 
        old man. But what actually is the young boy supposed to elicit from the 
        old man, when the police itself has no clue what clues the old man holds? 
        
        
        Ultimately, Dubey is planning to highlight the soul of humanity. She wants 
        to take her audiences above the subject of terrorism and explore the enduring 
        bonds of love and friendship, not between similar people, but between 
        seemingly incompatible people. 
        
        The music by the members of the Indian Ocean band and choreography of 
        Ashley Lobo Danceworx will definitely set some new stage dynamics with 
        the creative elements of Dubey.  
      
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